Constantinople, 1921

Each day Nur gazes across the waters of the Bosphorus to her childhood home, a grand white house, nestled on the opposite bank. Memories float on the breeze – the fragrance of the fig trees, the saffron sunsets of languid summer evenings. But now those days are dead.

The house has been transformed into an army hospital, it is a prize of war in the hands of the British. And as Nur weaves through the streets carrying the embroideries that have become her livelihood, Constantinople swarms with Allied soldiers – a reminder of how far her she and her city have fallen.

The most precious thing in Nur’s new life is the orphan in her care – a boy with a terrible secret. When he falls dangerously ill Nur’s world becomes entwined with the enemy’s. She must return to where she grew up, and plead for help from Medical Officer George Monroe.

In seventeenth-century China, three women become emotionally involved with The Peony Pavilion, a famed opera rumored to cause lovesickness and even death, including Peony, the cloistered daughter of a wealthy scholar, who succumbs to its spell only to return after her death as a "hungry ghost" to haunt her former fiancé, who has married another.

Somewhere along the cobbled streets of Paris, an apartment lies thick with dust and secrets: full of priceless artworks hidden away for decades.

High-flying fine art agent Flora from London, more comfortable with the tension of a million-pound auction than a cosy candlelit dinner for two, is called in to assess these suddenly discovered treasures. As an expert in her field, she must trace the history of each painting and discover who has concealed them for so long.